| Comprising of a rich musical heritage, Italian folk | | | | Regions to the north of Italy have deep Celtic and |
| music comprises of diverse styles, dance forms | | | | Slavic influences. Central Italy has peasant poets |
| and musical instruments. With the country's | | | | or poeti contadini who sing poems of Homer and |
| gradual unification, hundreds of music styles from | | | | Dante, focusing on the political and social situations |
| different Italian regions came together quite late in | | | | in that specific region. This medieval style of |
| the 20th century. Italy's folk music has had | | | | poetry is sometimes competitive in nature while |
| several regional influences especially from the | | | | leaving room for interpretation and improvisations. |
| south of Europe as well as Celtic, Persian, African, | | | | During the 1970's roots revival, roots revivalists |
| Roma and Arabic. Sardinia's music compared to | | | | were greatly influenced by jazz music played |
| the rest of Italy is distinctive, in that it is best | | | | entirely on acoustic settings. |
| known for its chanting of the tenores. | | | | Ethnic Greeks have been residing in cities like |
| With pockets of small city states in every region, | | | | Calabria and Puglia for a very long time. Traditional |
| diverse music styles have coexisted for a very | | | | folk music emerging from this region includes a |
| long time combining traditions like narrative and | | | | religious piece Passiuna tu Christù, which |
| ballad singing. American Alan Lomax in 1956 | | | | narrates and describes the Passion of Christ. |
| proposed to unify Italy's musical heritage through | | | | Sicily's music is more diverse in nature, comprising |
| a classification system and it has often been | | | | of devotional and religious songs, harvest folk |
| repeated since. Italian Diego Carpitella, Franco | | | | songs and songs of the peasant workforce. |
| Coggiola and Roberto Leydi carried out various | | | | Musical accompaniments are an important facet |
| field recordings and captured various folk | | | | of Italian folk music. Some of their instruments |
| traditions. | | | | are used only for certain religious occasions or |
| Italian folk songs talk about important events and | | | | rituals like the zampogna bagpipe which is heard |
| celebrations. They also comprise of ballads, | | | | only during Christmas. Their main instruments are |
| lullabies, serenades, epic songs and children's songs. | | | | broken down into three groups - string, percussion |
| In 1966, Gianni Bosio founded the Istituto Ernesto | | | | and wind. Dancing also plays an integral part of |
| de Martino and from here Italian folk music was | | | | most folk ritual songs. While there are group |
| revived and brought once again into the limelight | | | | dances, solo and couple dances also co-exist such |
| on a larger scale. Soon various Italian folk bands | | | | as the courting dance called the duru-duru dance |
| gained prominence including La Lionetta, La Ciapa | | | | in Sardinia. |
| Rusa, Re Niliu, Calicanto, and Baraban. | | | | |