| Many artists have already discovered that making | | | | overlapping textures and hocketed rhythms alike. |
| professional beats online is now possible using | | | | Syncopating the drums or making a complicated |
| Sonic Producer. What some do not know yet is | | | | jungle or dark step rhythm is not a problem or |
| that their sequencer interface is extremely | | | | you can blend sounds over one another to create |
| intuitive and astoundingly easy to use! If you can | | | | seamless backing tracks with unbelievably striking |
| understand simple math, have an idea of the | | | | results. |
| sounds you want to use, and can drag and drop | | | | The sequencer Sonic Producer provides also has |
| with a mouse, you are bound to be able come up | | | | tempo changing capabilities. If you are not |
| with amazing back beat tracks with no trouble at | | | | satisfied with the sped of your new beat, all you |
| all! | | | | have to do is enter a new tempo and the |
| First you simply grab the sample you want to add | | | | sequencer will speed it up or slow it down |
| to your beat from the collection of hundreds of | | | | accordingly. Playing back your track is only the |
| high quality sounds provided by the online service, | | | | click of a button and the sounds will play in the |
| then you assign it to one of the sequencer's | | | | order you have designated. Worried about being |
| tracks. Once your sound is in place, just use the | | | | confused as to when each sound will appear in |
| mouse to click the one, two, three, or four beats, | | | | your beat? The sequencer takes care of that too: |
| or any of the beat's eighth notes, sixteenth | | | | it shows a darkened line that moves across the |
| notes, or thirty-second notes. The sound you | | | | sequencer's beat grid displaying when the tracks |
| have chosen will now play starting on the beat | | | | will sound so you can follow along. That makes |
| you have highlighted. Some sounds are longer | | | | the online sequencer easier to use when |
| than others, of course, so you can mix and | | | | perfecting your compositions. |
| match the decays of the sounds and create | | | | |