| An increased interest in the arts especially music, | | | | This publication of the "Musica" created the |
| began soon after the Wars of the Roses ended in | | | | massive interest in this kind of music. People |
| 1487, and reached a climax in the reign of | | | | suddenly to notice and started to listen to this |
| Elizabeth (1558-1603). Of all the arts, music was | | | | kind of music. Composers were just as |
| about to have a major face-lift which would | | | | enthusiastic and wanted to write in this style. |
| increase its popularity from the listeners, and the | | | | Within the next quarter of a century, nearly |
| composers. | | | | every composer of all abilities had published one |
| This increased artistic activity of the Elizabethan | | | | or more sets of madrigals. |
| age compares with the Renaissance age of Italy, | | | | Thomas Morley (1557-1604) published a set in |
| and Elizabethan England owed a great deal to the | | | | 1594. The madrigals of Thomas Weelkes |
| Italian examples for new and exciting creativity of | | | | appeared in 1597. Those of John Wilbye, |
| all art. | | | | esteemed the greatest of English madrigal writers, |
| Music in particular was about to transform | | | | appeared in 1598. |
| dramatically with the introduction of a new musical | | | | Madrigals by John Benet appeared in 1599 and in |
| style called the Madrigal, a music form most | | | | 1601; there appeared a very remarkable |
| associated with that of Elizabethan music. This | | | | monument of the madrigal writer's art the |
| type of music was first created in Italy and like | | | | "Triumphs of Oriana." |
| many art forms from that region made its way | | | | Oriana was one of the names under which the |
| west to England. | | | | poets and courtiers of Elizabeth's reign would sing |
| As already mentioned the Madrigal was a very | | | | her praises, and the "Triumphs" was a collection |
| popular and a highly regarded music form in Italy, | | | | of prize madrigals in her honour by twenty-six |
| and a great number of Italian writers and | | | | English madrigal composers of the day. |
| composers wrote many excellent compositions. | | | | The interest in Madrigals gradually decreased after |
| Apart from a few hit and miss, not very well | | | | this, but Thomas Bateson, organist of Chester |
| constructed examples, which had already | | | | Cathedral, and the first to receive the degree of |
| appeared and failed to capture people's | | | | Mus. Bac. from the University of Dublin, Michael |
| imagination, its probably safe to say that the first | | | | Este, and Orlando Gibbons, great in almost every |
| proper introduction of the Madrigal to English music | | | | department of music, all produced sets of |
| lovers was the publication of Nicholas Yonge's | | | | madrigals during the early years of the reign of |
| "Musica Transalpina," in 1588. | | | | James I. |