| Music in Japan is called ongaku, which when | | | | Shirakawa Gunpachiro and Takahashi Chikuzan is |
| directly translated can be taken to mean as sound | | | | the tsugaru-jamisen where there is more free |
| for comfort. Although mostly identified nowadays | | | | improvisation and flashy fingerwork on the |
| by the outside world for its pop, "bubblegum" | | | | instrument. Another instrument most often used |
| type of songs, Japanese music is essentially an | | | | in Japanese music is the taiko, or the Japanese |
| eclectic combination of musical influences from all | | | | drum. This percussion instrument dates as far |
| over the world. Much as it is steeped in local | | | | back as the 6th and 7th centuries, and during |
| tradition and history, the scales, instruments and | | | | periods of war was used mainly to keep the |
| styles however were borrowed and loosely | | | | enemies at bay and to communicate commands |
| adapted from neighboring countries such as China, | | | | to the warriors. The taiko comes in various sizes |
| Korea and Indonesia and has evolved to integrate | | | | and is usually an integral part of the musical |
| Western musical styles such as jazz, rock, ska | | | | ensembles especially during festivals. There are |
| and reggae. There is a definitive emphasis on | | | | other traditional Japanese instruments like the |
| words rather than the instrumentation and one | | | | biwa, a short-necked fretted lute; the ryuteki, a |
| East Asian musical scholar has attributed this to | | | | flute made of bamboo and used in gagaku which |
| the Japanese "love for storytelling and | | | | is the style of music associated to the Japanese |
| preoccupation with ritual." Some examples of this | | | | Imperial Court; the kokyu, a string instrument |
| would be the shomyo, or Buddhist chanting and | | | | played with a bow which has a shape, sound and |
| the Japanese folk songs or min'yo. There are all | | | | fabrication unique to Japan unlike the shamisen. |
| sorts of min'yo but can be generally categorized | | | | The kokyu has even figured in non-traditional |
| according to occasions when they are sung. There | | | | genres such as Japanese jazz and blues. |
| are work songs, religious songs, songs used during | | | | Developments in the late 19th and early 20th |
| special gatherings like weddings, funerals and | | | | centuries opened the ears of the Japanese people |
| celebrations and songs for children or lullabies. | | | | to new genres such as the enka, the Japanese |
| These songs are most often passed or | | | | version of American melodramatic country ballads, |
| transmitted through family generations. One old | | | | Western pop or kayokyoku. Kayokyoku later on |
| form of traditional music coming from the Ainu | | | | evolved to J-pop or Japanese pop - a style with a |
| people in northern Japan would be the yukar, or | | | | more definitive Western influence. With rock and |
| mimicry - a form of epic poetry or epics in songs. | | | | roll sweeping the whole world in the 1960s and |
| Most Japanese music genres even up to the | | | | 1970s, J-rock or Japanese rock invaded the |
| present make use of the shamisen, or a | | | | Japanese music scene as well. More noteworthy |
| three-stringed musical instrument most commonly | | | | however is how Western classical music and jazz |
| referred to as the Japanese guitar. In kouta, or | | | | has flourished in Japan to the point where the |
| short songs typically sung by geisha and nagauta | | | | country has produced several famous musicians |
| or long songs as those performed in Japanese | | | | like Sadao Watanabe for jazz, composer Toru |
| theatres noh and kabuki, the shamisen provides | | | | Takemitsu and conductor Seiji Ozawa. Japan is |
| the backbone for instrumentation. An evolution | | | | also identified as one of the most important |
| from the jiuta or the earthy, classical style of | | | | markets for these types of music. |
| shamisen music and developed by blind musicians | | | | |